Mulvey identifies three "looks" or perspectives that occur in film which serve to sexually objectify women.
1) The first is perspective of the male character on screen and how he perceives the female character.
2) The second is the perspective of the spectator as they see the female character on screen.
3) The third "look" joins the first two looks together: it is the male audience members perspective of the male character in the film. This third perspective allows the male audience to take the female character as his own personal sex object because he can relate himself, through looking, to the male character in the film.
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